Beyond Tahrir Square?: the Dark End of the Street in Manama, Damascus, and Tripoli

A chilling report on Bahrain. ("Bahrain, Kingdom of Silence," by Toby C. Jones, Arab Reform Bulletin, May 4, 2011).  The comments are also evocative.

And there is a similar return to fear of informers in Tripoli. ("Fear of crackdown, conscription haunts Libyan capital," by Lin Noueihed, Reuters, May 7, 2011)

And of course, this has long been the case in Damascus.  I found the cartoon below at Syrian Uprising 2011 Information Centre.  Press cc: for subtitles in English. (Basically all the rabbits complain until in front of their leader, at which point they sing his praises, except for Brave Rabbit, who asks for more rabbit food.  This proves an unwise tactic.  Until....)

The Good Soldier Švejk in Tripoli (and Manama)

Bretschneider, undercover agent for the state police,
in Švejk, watching for suspect views in the tavern.

Jaroslav Hašek's Czech novel The Good Soldier Švejk (1923) notes the idiocy (or at least surreal behavior) of imperial Austro-Hungarian leaders and the secret policemen detailed to seek anti-monarchist views in the most unlikely settings. In Tripoli, according to a recent BBC report, the joke making the rounds is that they have run out of paint (to paint over the anti-regime graffiti of the post-17 February protesters).  An incident, evidently not a joke, is reported as follows:

• The latest trend was demonstrated in a public school for girls - the Quortoba High School in Hay el-Andalus district. Word quickly spread about what happened - "it's the talk of the entire neighbourhood", a friend tells me.
• You would be forgiven for thinking this next illustration of artistic expression is a joke, but it is not.
• Red, black and green helium-filled balloons have been spotted rising into the capital's skyline on several occasions in different parts of the city.
• The colours represent the original post-colonial flag of Libya that has become a symbol for opposition-held territories here. Reports suggest that when they can, security forces shoot the balloons down. ("Tripoli witness: Covert protests and black humour," 14 April 2011, BBC)

Suppressing nationalist rebellions, by those with imperial (pan-African, pan-Balkan) dreams, is perhaps like shooting balloons. Effective in the short run....

[This is not unlike, of course, the incoherence of the destruction of the Pearl Monument in Manama, Bahrain which has lead to the following horrific ironies in the following report:

• Quietly approaching the ring of defensive fencing surrounding a dead space, a Nepali migrant worker described in halting English witnessing the pathetic destruction of the Pearl Monument on March 18. In a horrifying accident, a Pakistani crane operator was crushed to death after being ordered to destroy the monument....
• [T]he central bank "canceled" the 500 fils coin (about US$1.3) that for years proudly displayed this symbol [Pearl Monument] of the Gulf Cooperation Council (GCC) pre-oil boom past when the region was a British protectorate known mostly for harvesting pearls. 
• A cashier at Carrefour, the French hypermarket ubiquitous in the Gulf, said she was instructed to make the pearl coins disappear by simply tossing them in the rubbish bin after receiving them as payment from customers, ensuring the erasure of the bad memory plaguing the kingdom. (Apr 7, 2011, "Dangerous change rattles Bahrain," by Derek Henry Flood, Asia Times)]